How it works
How a script gets from the writer to the studio.
Four pictures. Who receives the script, what your team actually has to do, what gets written down, and how anything is ever shared.
The short version
Locked, compared, then — maybe — read.
- 1
A writer sends a script
Through the official page on your website.
- 2
We lock it
Only the writer has the password. Not us, not you.
- 3
We compare a short summary with your project list
Privately, on our own servers.
Too close to something you’re making?
You never see it. Nobody is told why.
Not close?
You can read the summary. The script only if the writer unlocks it.
1 · Who gets the script
Not your staff. Gatehouse, on your behalf.
The script never lands in an executive’s inbox. Gatehouse receives it and locks it. Your team sees only a summary that’s clear of your projects — and only if it wants to.
- 01 · The writer
Sends a script through the official page on your website, after signing your terms.
- 02 · Gatehouse
Receives it, locks it, and compares a short summary with your project list. Writes everything down.
- Receives
- Locks
- Compares
- Records
- 03 · Your studio
Sees only a summary that’s clear of your projects — and only if you want to.
2 · What the studio does
Your team steps in only if it wants to.
Set it up once. Then Gatehouse receives every script, checks it, keeps the record and deals with the writer.
- 1
Agree the terms
The terms writers sign before they send anything. Your lawyers approve them.
- 2
Give us your project list
One line per project. Or we’ll phone once a month and keep it for you.
- 3
Wait
Gatehouse does the work.
- Receive
- Compare
- Keep the record
- Deal with the writer
Gatehouse · not your team
- 4
Read, if you like
Read a summary that’s clear of your projects. Or do nothing.
3 · What gets recorded
If anyone asks later, you have the facts.
Four lines answer almost every question a claim raises: who sent it, which version, when it arrived, and who saw it later — and when.
Gatehouse · Record
Salt Lines
- Who sent it
Mara Ellison
Identity checked · over 18 · owns the work · release signed
- Which version
Draft 2 · 104 pages
Exact file kept, locked; new drafts recorded separately
- When it arrived
3 March 2026, 14:03
Terms signed at 14:02 — copy on file
- Who saw it later
Summary only · 2 people
Pictures team · 12 March, 11:48 · writer-approved version
NotedScript: never unlocked
4 · How sharing happens
Either side can stop at every step.
The studio never has to ask. The writer never has to agree. Only what both sides have agreed to is ever shared.
1 · Writer
Sends the script and approves a summary
2 · Gatehouse
Compares the summary with your project list
Can stop here. Too close to your projects? It stops here, and nobody is told why.
3 · Studio
Reads the summary, if it wants
Can stop here. You never have to look.
4 · Studio
Asks for the script
Can stop here. Most never get this far, and that’s fine.
5 · Writer
Unlocks it — or doesn’t
See a little, then more.
You never read a whole script to find out it isn’t for you. Choose a step to see what the studio would see.
What Northlight seesStep 1
SALT LINES
- Format
- Feature
- Language
- English
- Length
- 104 pp
- Genre
- Thriller
Shared under the studio’s rules · recorded
What Northlight seesStep 2
SALT LINES
Summary · page 1 of 4 · approved by the writer
During a three-day storm, a retired coastguard officer running a remote weather station shelters a young woman who says she’s a stranded hiker. As the radio fails, he begins to suspect she has come for something his late partner hid on the island decades ago…
Clear of your projects · approved by the writer · recorded
What Northlight seesStep 3
SALT LINES
FADE IN:
EXT. HEADLAND WEATHER STATION - NIGHT
Rain hammers a corrugated roof. A single window glows. EWAN (64), weathered, ex-coastguard, works the dial of a dying radio...
Unlocked by the writer for Northlight · recorded
Want the finer detail — how files are identified, how the record is kept, who can access what? It’s on the page for legal teams.
You don’t have to open your inbox to every script.
Gatehouse handles the receiving and the record keeping. Your team decides whether anything is worth reading.